Led argiztapenari buruzko hausnarketa artean: Dario Urzayk sortutako Behatzailearen sabela (Arreta-atalasea) (Afterimages) (2011) artelanaren zaharberritze-prozesuaren azterketa eta honek eragindako ikerketa- eta sorkuntza-prozesua
Cargando...
Archivos
Fecha
2021-12-27
Título de la revista
ISSN de la revista
Título del volumen
Editor
Universidad del País Vasco = Euskal Herriko Unibertsitatea, Servicio de Publicaciones
Resumen
Testu honek led argiztapenak artean duen erabilera du ardatz. Gai horri buruzko literatura berrikusi ondoren, ikerketa gehienek led argiztapena erabiltzearen alderdi teknikoak dituztela hizpide ondorioztatu dugu. Gehien bat, artelanek erakusketa-espazioetan jasotzen duten argiztapena aztertzen dute eta ikusgai dauden obrak behar bezala argiztatzearekin, energia aurreztearekin edota prebentziozko kontserbazioarekin lotutako ikuspegiak nagusi dira. Artelanen zaharberritze-prozesuetan led argiztapena erabiltzeak dituen egiturazko inplikazioei buruzko ikerketa askorik ez dugu aurkitu, ordea. Hori dela eta, eta erakusketa-espazioetan led argiztapenaren egungo egoera aurkeztu ondoren, Dario Urzayren Behatzailearen sabela (Arreta-atalasea) (Afterimages) (2011) artelanaren zaharberritze-prozesuan sakondu eta azterketa kritikoa garatuko dugu. Azkenik, konklusio gisa, azterketa honen ondorioz hasitako ikerketa- eta sorkuntza-prozesua aurkeztu eta azalduko dugu.
This text revolves around the use of led lighting in art. After reviewing the existing literature on the matter, we found that a large majority focus mainly on technical aspects regarding lighting works of art in exhibition spaces. The approaches related to the correct lighting of the exhibited works, energy-saving, or preventive conservation stand out. However, we have not found many case studies which analyzed the structural implications of led lighting in the restoration of artworks. For this reason, after presenting the current state of led lighting in exhibition spaces, we highlight and critically analyze the restoration process of The belly of the observer (Threshold of attention) (Afterimages) (2011) by Darío Urzay. Finally, we propose and describe, by way of conclusion, a research-creation process initiated as a result of such analysis.
This text revolves around the use of led lighting in art. After reviewing the existing literature on the matter, we found that a large majority focus mainly on technical aspects regarding lighting works of art in exhibition spaces. The approaches related to the correct lighting of the exhibited works, energy-saving, or preventive conservation stand out. However, we have not found many case studies which analyzed the structural implications of led lighting in the restoration of artworks. For this reason, after presenting the current state of led lighting in exhibition spaces, we highlight and critically analyze the restoration process of The belly of the observer (Threshold of attention) (Afterimages) (2011) by Darío Urzay. Finally, we propose and describe, by way of conclusion, a research-creation process initiated as a result of such analysis.
Palabras clave
Museografia
Artelanen kontserbazioa eta zaharberritzea
Led agiztapena
Ikerketa eta sorkuntza artean
Urzay, Dario (1958-)
Museography
Conservation and restoration of artworks
Led illumination
Art research and creation
Artelanen kontserbazioa eta zaharberritzea
Led agiztapena
Ikerketa eta sorkuntza artean
Urzay, Dario (1958-)
Museography
Conservation and restoration of artworks
Led illumination
Art research and creation
Descripción
Materias
Cita
Cancio Ferruz, A., & Martínez López, J. (2021). Led argiztapenari buruzko hausnarketa artean: Dario Urzayk sortutako Behatzailearen sabela (Arreta-atalasea) (Afterimages) (2011) artelanaren zaharberritze-prozesuaren azterketa eta honek eragindako ikerketa- eta sorkuntza-prozesua. Ausart aldizkaria: arte ikerkuntzarako aldizkaria = journal for research in art = revista para la investigación en arte, 9(2), 127-142. https://doi.org/10.1387/AUSART.23111