Assessing emotion and sensitivity of AI artwork
dc.contributor.author | Agudo Díaz, Ujué | |
dc.contributor.author | Arrese, Miren | |
dc.contributor.author | Liberal, Karlos G. | |
dc.contributor.author | Matute, Helena | |
dc.date.accessioned | 2025-07-14T09:19:05Z | |
dc.date.available | 2025-07-14T09:19:05Z | |
dc.date.issued | 2022-04-05 | |
dc.date.updated | 2025-07-14T09:19:05Z | |
dc.description.abstract | Artificial Intelligence (AI) is currently present in areas that were, until recently, reserved for humans, such as, for instance, art. However, to the best of our knowledge, there is not much empirical evidence on how people perceive the skills of AI in these domains. In Experiment 1, participants were exposed to AI-generated audiovisual artwork and were asked to evaluate it. We told half of the participants that the artist was a human and we confessed to the other half that it was an AI. Although all of them were exposed to the same artwork, the results showed that people attributed lower sensitivity, lower ability to evoke their emotions, and lower quality to the artwork when they thought the artist was AI as compared to when they believed the artist was human. Experiment 2 reproduced these results and extended them to a slightly different setting, a different piece of (exclusively auditory) artwork, and added some additional measures. The results show that the evaluation of art seems to be modulated, at least in part, by prior stereotypes and biases about the creative skills of AI. The data and materials for these experiments are freely available at the Open Science Framework: https://osf.io/3r7xg/. Experiment 2 was preregistered at AsPredicted: https://aspredicted.org/fh2u2.pdf. | en |
dc.description.sponsorship | Grant PSI2016-78818-R from Agencia Estatal de Investigación of the Spanish Government, as well as Grant IT955-16 from the Basque Government | en |
dc.identifier.citation | Agudo, U., Arrese, M., Liberal, K. G., & Matute, H. (2022). Assessing emotion and sensitivity of AI artwork. Frontiers in Psychology, 13. https://doi.org/10.3389/FPSYG.2022.879088 | |
dc.identifier.doi | 10.3389/FPSYG.2022.879088 | |
dc.identifier.eissn | 1664-1078 | |
dc.identifier.uri | https://hdl.handle.net/20.500.14454/3215 | |
dc.language.iso | eng | |
dc.publisher | Frontiers Media S.A. | |
dc.rights | © 2022 Agudo, Arrese, Liberal and Matute | |
dc.subject.other | Art | |
dc.subject.other | Artificial intelligence | |
dc.subject.other | Bias | |
dc.subject.other | Human–computer interaction | |
dc.subject.other | Music | |
dc.subject.other | Stereotype | |
dc.title | Assessing emotion and sensitivity of AI artwork | en |
dc.type | journal article | |
dcterms.accessRights | open access | |
oaire.citation.title | Frontiers in Psychology | |
oaire.citation.volume | 13 | |
oaire.licenseCondition | https://creativecommons.org/licenses/by/4.0/ | |
oaire.version | VoR |
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