Paisajes de conflicto desde el postconflicto en la ficción de Lucy Caldwell
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2025-06-26
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Gobierno de Navarra, Institución Príncipe de Viana
Resumen
Este artículo examina cómo la ficción postconflicto escrita por mujeres en Irlanda del Norte revisita los Troubles. Partiendo de la representación de la violencia y del trauma en las novelas Where They Were Missed (2006) y All the Beggars Riding (2013) de Lucy Caldwell, se exploran los paisajes del conflicto norirlandés desde una mirada femenina que ahonda en la brecha intergeneracional, la memoria, lo doméstico y el afecto. Se demuestra que Where They Were Missed y All the Beggars Riding ofrecen visiones de futuro alternativas al utilizar los paisajes del conflicto con el fin de visibilizar temáticas distintas a las hegemónicas.
Ipar Irlandako emakumeek idatzitako gatazka ondorengo fikzioak Troubles garaiak nola berrikusten dituen aztertzen du artikulu honek. Lucy Caldwellen Where They Were Missed (2006) eta All the Beggars Riding (2013) eleberrietako trauma eta indarkeriaren irudikapenean oinarriturik, Ipar Irlandako larrialdiak aztertzen dira, belaunaldi arteko arrakalan, memorian, esparru domestikoan eta afektuan sakontzen duen emakumezko ikuspegi batetik. Gatazkaren paisaiak hegemonikoak ez diren gaiak bistaratzeko erabiltzean, Where They Were Missed eta All the Beggars Riding eleberriek etorkizun-ikuspegi alternatiboak eskaintzen dituztela erakusten da.
This article examines how post-conflict fiction written by women in Northern Ireland revisits the Troubles. Starting from the representation of violence and trauma in Lucy Caldwell’s novels Where They Were Missed (2006) and All the Beggars Riding (2013), the landscapes of the Northern Irish conflict are explored from a female perspective that delves into the intergenerational gap, memory, domesticity and affection. The article concludes that Where They Were Missed and All the Beggars Riding offer alternative visions of the future by using the landscapes of the conflict in order to make themes visible unlike more hegemonic ones.
Ipar Irlandako emakumeek idatzitako gatazka ondorengo fikzioak Troubles garaiak nola berrikusten dituen aztertzen du artikulu honek. Lucy Caldwellen Where They Were Missed (2006) eta All the Beggars Riding (2013) eleberrietako trauma eta indarkeriaren irudikapenean oinarriturik, Ipar Irlandako larrialdiak aztertzen dira, belaunaldi arteko arrakalan, memorian, esparru domestikoan eta afektuan sakontzen duen emakumezko ikuspegi batetik. Gatazkaren paisaiak hegemonikoak ez diren gaiak bistaratzeko erabiltzean, Where They Were Missed eta All the Beggars Riding eleberriek etorkizun-ikuspegi alternatiboak eskaintzen dituztela erakusten da.
This article examines how post-conflict fiction written by women in Northern Ireland revisits the Troubles. Starting from the representation of violence and trauma in Lucy Caldwell’s novels Where They Were Missed (2006) and All the Beggars Riding (2013), the landscapes of the Northern Irish conflict are explored from a female perspective that delves into the intergenerational gap, memory, domesticity and affection. The article concludes that Where They Were Missed and All the Beggars Riding offer alternative visions of the future by using the landscapes of the conflict in order to make themes visible unlike more hegemonic ones.
Palabras clave
Postconflicto
Irlanda del Norte
The Troubles
Lucy Caldwell
Paisaje
Gatazka ondoa
Ipar Irlanda
Troubles garaiak
Paisaia
Post-conflict
Northern Ireland
Landscape
Irlanda del Norte
The Troubles
Lucy Caldwell
Paisaje
Gatazka ondoa
Ipar Irlanda
Troubles garaiak
Paisaia
Post-conflict
Northern Ireland
Landscape
Descripción
Materias
Cita
Altuna García de Salazar, A., & Pando Canteli, M. J. (2025). Paisajes de conflicto desde el postconflicto en la ficción de Lucy Caldwell. Fontes linguae vasconum: Studia et documenta, 57(139), 169-189. https://doi.org/10.35462/FLV139.8